Tag Archives: Key sentences

Scrivener for Grant Writing

Scrivener is designed for assembling a long document from a large number of components.

Scrivener is designed for assembling a long document from a large number of components.

This post is about using Scrivener to write a grant application. I have wanted to write the post for a long time but I was held back by the fact that it is about an idea that, until last week-end, hadn’t come to fruition. The idea is that Scrivener is the ideal tool for writing a grant application.

Scrivener’s strength is that it is designed for the task of assembling short sections of text into a larger document and for editing and rearranging the segments until they work together. This is exactly the problem with a grant application. You have to assemble the background information about your research problem and the description of your research project and then edit and rearrange them until they work together as a coherent sales pitch for the project.

For the sales pitch to work, reading the background information about the research problem must make the reader want that research project and no other.  This requires the content of the background to be exactly tuned to the content of the project. This kind of fine tuning is much easier if you draft the corresponding subsections of the background and the description of the project,  which will end up several pages apart in the final document, side by side.

Scrivener was designed to do exactly this.  It is a program designed for writing novels. I discovered it through Twitter. Someone I follow, whose writing I admire, said they found it invaluable, so I wanted to find it invaluable too. But the sad truth is that I never have.  My problem is that Scrivener isn’t very easy to use. In fact it’s pretty difficult. Everything I have ever tried to do with Scrivener is much easier to do with a different program. Last week end, this changed.

Last week-end I had the grant-writing assignment from hell. I had four days to assemble a case for support. The raw material I had was patchy, to say the least. I had about 30 pages of text provided by eight academics scattered across four continents. 95% of the text was about research but the grant was about building research capacity. Important components of the research project were still being written, whereas the source of text on building capacity and capability had run dry. The least of my problems was that the grant was a kind I had never written before, requiring the case for support to have a unique structure and a limit of 10 pages.

The first thing I had to do – fortunately I had done this the week-end before – was to overcome Scrivener’s two great weaknesses.

  • It isn’t very good at producing Microsoft Word, which is pretty much the only medium in which the academics I work with can collaborate on a text.
  • Its approach to references and bibliographies is extremely limited.

I needed to find a way that I could convert Scrivener text into Microsoft Office, completely reliably and with very little effort. I needed to get Scrivener to interface with a good referencing software package so that I could combine the citations provided by all the different contributors into a single bibliography, in a compact format.

Fortunately I had discovered an excellent blog post  by David Smith explaining how to use a program called pandoc together with the excellent reference software Zotero to produce Microsoft word output from Scrivener. Pandoc converts a text file produced by Scrivener into a Word document, which uses styles defined in a document of your choice, and Zotero inserts and updates and formats citations and a bibliography, which has a style determined by a csl file, thousands of which are available on Zotero’s website.  I had never used Pandoc or Zotero, so it took me about a day and a half to become proficient enough with them to get the process working reliably. While I was getting pandoc to work I also found this csl file, which makes pandoc produce bibliograpies in the style of an obscure Italian law journal that does not require the titles of journal papers.

I was slightly apprehensive that Pandoc, which is a 1970’s style unix command-line application, requires you to type a monstrously long command into a terminal app. This is the command I used.

$ pandoc --filter pandoc-citeproc --reference-docx=/Users/amd/Dropbox/02Andrew/11-Scrivener/pandoc/reference.docx -s -S --normalize  -f markdown -t docx -o CaseForSupport.docx -i CaseForSupport

This command specifies the citation process, the path to the Word document with the correct styles, the format and the name of the input file,  that the output should be  a standalone file, that repeated white space should be stripped out of the input, the format to convert to and the name of the output file and the name of the input file. Other details, such as the datafile and format specification for the bibliography were specified in the input file but they could also have been specified in the command.  It takes a few tries to get the command right but once you have got it right you can repeat it whenever you need to by pressing the up-arrow  key.

Once I had taken care of its weaknesses, I could start exploiting Scrivener’s great strength, its facilities for assembling a large text document from a series of snippets of text that have to be organised in different ways. Text came to me as Word documents, which I converted to raw text, marked up with formatting instructions in ‘Pandoc-flavoured Multimarkdown’. These instructions are very simple, and they cover the bare minimum – six levels of heading, numbered and bullet lists, bold and italic –  so it only takes a few minutes to mark up a whole case for support and it is very easy to keep the mark-up consistent. It reminded me of writing my thesis in the 1970s, using runoff on a minicomputer, which was a machine the size of a wardrobe with 0.05 Mb of memory, 0.25 Mb of disk that cost £25,000 (£140,000 in today’s money).

Exchanging edits and comments with colleagues was easy. I would send them the draft case for support as a word file and they would send back the same file edited with track changes, send me comments, or send me more text. I had to convert their edited text back to raw text, mark it up, and put it into Scrivener. This was quick and easy because I kept each contribution as a separate file, and it avoided the formatting errors that frequently happen when you merge Microsoft Word files.

Adding references was very easy. As long as the writer could identify the paper I would be able to find it and add it to my Zotero database. This was easiest if the writer used the DOI or the Pubmed ID but in several cases I  succeeded with nothing more than a google search for the author names, year, and journal title.

The funder’s instructions for writing the case for support required seven different sections so I created a folder for each section and sub-divided the contributions from different writers between the sections. Scrivener makes it very easy to split a file at any point. You can also select text in the file to use as the filename. This makes it easy to create separate files for each little subsection and to give them names that tell you what is in them. By the time I finished editing the case for support it comprised about 30 files.

Scrivener's Corkboard makes it easy to rearrange the sections of a document.

Scrivener’s Corkboard makes it easy to rearrange the sections of a document.

Using separate files makes it very easy to reorganise the text if you decide the structure is wrong, as I did reluctantly when one of the contributors pointed out that the case for support looked as if the main point of the grant was research, whereas the funding call was for building research capacity and capability. Completely restructuring the case for support involved splitting one file into six or seven pieces to be distributed throughout the document and reorganising the other files so that I now had a two level structure, with folders and files. Scrivener has a very flexible view of folders and files, you can convert one into the other, but the advantage of a folder is that it allows you to move a group of subsections at the same time, without changing their relationships with each other, in a single drag and drop.  The whole restructure, which felt as if I was turning the case for support inside out, took me a couple of hours.

Without Scrivener I couldn’t have written the case for support before the deadline. Two features were crucial: the ease of restructuring, and the rock-solid reliability with which I could create a perfectly formatted Word file after every edit.

  • Restructuring a case for support in Word is possible: you can use the outliner to move subsections around, but it is very hard to keep track of what is where, and I have never tried anything as complicated as this.
  • Preserving the format of lists and the styles of headings through an exercise like this may be possible in Word, but I have never managed to do it. I spend huge amounts of time renumbering numbered lists and at least once in an exercise like this I will have to recreate all the heading styles from scratch.

Scrivener has a couple of other features that make it useful, but not uniquely so.

  • It allows you to assemble all the background information you need and keep it together with the text in a file called the project. You can do this by using the folder structure of the file system.
  • It allows you to tag files in different ways so that it can produce several different output files from the same project. I used this to produce other documents, like the pathways to impact, the summary and the objectives.

Finally, there is one thing I would like Scrivener to do that I haven’t yet managed to do. I would like it to insert boilerplate text several times in a document. Followers of this blog will know that I like to repeat myself and that I will re-use a key sentence several times. If I could do this by referring repeatedly to a single sentence, so that all the instances would change if I edited any of them, that would be perfect. Then I would be able to write a whole case for support by numbers!

Seven Deadly Sins of Grant-Writing: Sins of Omission

3WiseMonkeysA couple of weeks ago I described deadly sins that grant-writers commit deliberately. This week I am dealing with sins that are just as deadly but much harder to avoid. The sins of omission just creep into your writing without you noticing and  you have to make special efforts to remove them.

The sins I want to deal with are Complex Sentences, Long Paragraphs, Poor Flow and failing to match the background to the project. They all meet  the definition of sin that I coined last week: “Anything that makes it hard for a committee member to pick up a clear understanding of the rationale of your research project, what it will discover and why that is important,  is a sin. So is anything that makes it hard for a referee to get a clear picture of the detailed reasoning in your argument and the detailed description of your intended research activities. Referees and committee both work under time pressure, so anything that slows them down is also a sin.”

Complex sentences are really difficult to avoid. They appear spontaneously in your draft. Most people can’t avoid writing them whenever they are trying to write something difficult – like a grant application.

That’s OK. Writing complex sentences isn’t the end of the world. Not unless your first draft is the end of your writing process. You must expect your first draft to be full of sins and you need to cast them out. You need to hunt through your draft and convert all the long, complex sentences into short, clear simple sentences. As a rule of thumb, you should redraft any sentence longer than 30 words or containing more than 1 verb or beginning with a digression – a phrase that is introduced by a word like “although”. And if it’s the first sentence of a paragraph you also need to make sure that the main message of the sentence fits on the first line.

It’s OK for complex sentences to appear in your first draft because that is usually the easiest way for you to write it.  But it’s not OK to leave them there. You have to replace them with simple sentences. This may involve breaking them up, or turning them round and it will take time, but you will get quicker with practice. Your final draft must be easy to read, and to speed read. Most of the people voting on your grant application will speed-read, or skim it. So if what you send them is full of complex sentences that have to be decoded carefully then they will not get your message, and you will have less chance of getting funded.

Long paragraphs are bad for two reasons.

  • I pointed out in my last post that most of the people scoring your grant will speed-read your case for support. Speed-readers read the first line of every paragraph provided there is white space between them. The longer your paragraphs, the less you communicate with speed readers.
  • Long paragraphs are usually very hard to digest. They are usually a sign that what you are writing is either very complex, or just a bit disorganised. The few readers who really want to read the detail in your case for support will find it hard.

If your paragraphs are longer than about 5 lines, try to break them up. If they are not too disorganised it will be fairly straightforward but if they are disorganised it may be easier to attend to the flow first.

Flow refers to the sequence of ideas that you present, sentence by sentence and paragraph by paragraph. Within paragraphs, good flow occurs when each sentence connects naturally to its successor. There are several ways of achieving this. If you have never thought hard about it (and I hadn’t until a few months ago), Google will find you countless sources of advice. I recommend that you read the Using English for Academic Purposes Blog, which has a section on paragraphs and flow.  The basic approach is that  you should always start the paragraph with the topic sentence, the one sentence that sums up the paragraph. Then, to  get good flow within the paragraph you make sure that the first sentence leads naturally to the start of the second sentence, which leads naturally to the subject of the third sentence and so on. This makes it easy for the reader to read through the paragraph without having to pause and analyse the wording to work out what you mean, or having to keep several ideas in mind in order to follow what you are saying.

Flow between paragraphs is also important and again Google throws up hundreds of ways to help you make it smoother. I think that the best approach here is to reverse outline, as suggested on the Explorations of Style blog, which is full of good advice on how to make your writing more readable.

Failing to match the background to the project is a sin against Derrington’s first commandment. You won’t go to hell for the sin but you may enter the purgatory of grant rejection. The commandment requires that before you describe your project and the outcomes it will produce, you use the background section to make the case that we need exactly those outcomes. It’s a pretty basic selling technique. It persuades the customer that they want what you are selling before you describe what you are selling. I have explained before how you use key sentences to create a structure that implements the technique by creating a background section that deals with the outcomes in the same order as the description of the project, and that explains, outcome by outcome, why we need them.

The key sentences also give you the best way to fix a mismatch between background and project. Basically you create the key sentences and then you use them to re-organise your text. And then you use them to write an introduction.

If you read a few successful grant applications you will realise that the sins are not fatal: most successful grant-writers commit them. However, the sins all make it less likely that you will get funded because they make it harder for time-pressed committee members and referees to do their job. Of course you may be lucky enough that the committee sees the merit in your application despite you making it difficult. But why take the chance?

Seven Deadly Sins of Grant-Writing: the sins of Commission

By Pieter Brueghel (http://gnozis.info/?q=node/2792) [Public domain], via Wikimedia Commons

The_Seven_Deadly_Sins_-_Pieter_Brueghel

The first rule of writing is that you must think about the effect you want to have on your intended reader.  From this perspective,  a research grant is one of the easiest writing tasks imaginable: the effect you want to have is very simple and the readership is well-defined. This makes it very easy to work out that there are some things you should never ever do. Almost all grant-writers do them. These are the deadly sins of grant-writing.

To help you understand how bad these sins are, I will describe the effect you want to have and the readership before I list the sins.

The effect you want to have and the readership.

Obviously the effect you want to have is to get funded. For this to happen, your  main readership, the grants committee, must understand your aims and believe that they are important and that your project will fulfill them. Then they must rank your application high enough to fund it. Typically the committee will read your application in parallel with about 80 others and to get funded you need them to rank it the top  15 or so.

Few if any of the committee will be familiar with your research area. Mostly they will be struggling to understand what you are going to do and why it might be important to do it. They won’t spend long reading your application. A couple of them may spend as much as an hour on it because they will be tasked with explaining your application to the rest of the committee. Most of the others will probably just read the summary and ‘speed read’ (glance through) the case for support during the discussion. At the end of the discussion they will all vote on your score.

Your application will also be read by referees, who tend to be more knowledgeable about your research area and who will probably spend a couple of hours on it but they will not contribute directly to the decision. They will read your application in detail and write an evaluation of its strengths and weaknesses for the committee to consider. They probably will not read any of the applications you are competing against.

Anything that makes it hard for a committee member to pick up a clear understanding of the rationale of your research project, what it will discover and why that is important,  is a sin. So is anything that makes it hard for a referee to get a clear picture of the detailed reasoning in your argument and the detailed description of your intended research activities. Referees and committee both work under time pressure, so anything that slows them down is also a sin.

It may be helpful to distinguish sins of commission, things that you do deliberately, from sins of omission, things that you do because you just can’t help it. All seven sins make a long post, so  I’ll  leave the sins of omission to next week.

Sins of commission

  1. Elegant variation, using synonyms to avoid repeating yourself, is my top sin. It’s not the worst, but  it is the easiest to avoid. I have heard many reasons why you should say things in different ways when you repeat them. None of them applies to grant-writing.  Elegant variation is bad for two reasons.
    • First, it cuts down on repetition. Repetition is good in a grant application because it helps the reader to remember what you are writing about long enough to join in the discussion. It also helps them become familiar enough with  your technical terms to feel comfortable using them.
    • Second, synonyms are dangerous because members of the committee may not realise that they are synonyms. They will get hopelessly confused.
      People justify elegant variation in a variety of ways. Most of them are wrong and none of them applies to a grant application. Trust me.
  2. Aggressive space-saving is bad in all its forms, shrinking margins, shrinking font size, removing white space between paragraphs, and coining new abbreviations. They all make the reader’s real problem, reading and understanding your text, harder. And the reader will not love you for that. It is better to cut text than to cram it in and make it unreadable. Removing white space and coining abbreviations are particularly bad.
    • Removing white space makes speed-readers (most of the committee) lose the plot. Completely. Normally a speed reader will read the first line of every paragraph: their eyes automatically land on the edges of the white space at the top of the paragraph.  That means that the speed reader understands your proposal and thinks it is very clear because they pick up all the essential messages – you do start every paragraph with the topic sentence don’t you? Without the white space the speed-reader’s eye movements will go all over the place and they will pick up four or five random phrases from each page.
    • Coining abbreviations can’t do any harm can it? Surely it’s ok if you spell out each abbreviation the first time you use it? Well, no. I mean NO. Imagine reading 80 grant applications, all of them with half a dozen sets of abbreviations. Then imagine trying to re-read the difficult parts to try and understand them. What happens with the abbreviation when you start reading half-way through the grant? I can tell you: searching backwards through the text for the point where the abbreviation is spelled out makes a reader grouchy. Grouchy readers give grants low scores. So my advice is that if you have  to spell out an abbreviation you can’t use it.
  3. Over use of the passive voice – or of any convention that breaks up the natural flow just makes it hard to decipher your meaning. Of course sometimes your meaning is made clearer by using the passive. If you would like some helpful ideas about how and when to use the passive have a look at  this excellent post, which gives very clear advice on when it’s bad and when it’s good, including a brilliant sentence made shorter and sharper by using the passive voice 5 times.

It should be easy to avoid all these sins of commission because they are things you decide to do. Next week I will deal with the sins of omission, which are much harder to avoid.

Recipe for a NIH Grant

ManhattanI’ve just spent a very pleasant few days in New York City teaching post-docs at  Mount Sinai my recipe for a NIH grant. We focused on the K99/R00 scheme, which is for applicants less than 4 years from their PhD. K99/R00 applications must  include career-development as well as  research, which makes them more complex than a pure research grant, but the recipe I developed can easily accommodate other grant schemes by adjusting  the formula for their assessment criteria. Before I describe the recipe – how you get the grant written – I need to say something about the formula – what the finished grant consists of.

The Formula

The formula is based on the principle that you should make it as easy as possible for those who carry out the peer review of your grant to do their job. NIH makes it very easy to apply this principle because they take great trouble both to explain their peer review process and to list the review criteria for every kind of grant they offer.

The peer review process is carried out by a study section, a group of about 15 scientists whose expertise covers the area of the grant. Three of them, the reviewers, have to produce a written assessment of the grant and score it against the review criteria before the study section meets. At the study section the reviewers present the grant orally, then it is discussed openly and then scored by secret ballot. All members of the study section join in the discussion and vote on the score even though they may not have read the grant, although they will probably have read the 1 page Specific Aims, or the 30 line Summary. So the formula has two requirements.

  • It must be very easy for the reviewers to understand the grant quickly and to find the detail that shows whether or not it meets the assessment criteria.
  • It must be easy for the other members of the study section to speed read it and understand it.

To make it easy for reviewers, the three versions of the grant – the 12-page Research Strategy, the 1 page Specific Aims and the 30 line Summary should be recognisably the same, so that someone who has read the Summary or the Specific Aims should find the Research Strategy looks familiar. I recommend that you define the grant with a set of about 10 key statements that address the review criteria. The key statements begin major sections of the Research Strategy and are followed by text that justifies them and convinces the reviewer that they are true. The reviewer will be familiar with the key statements because they appear in the same order in the Specific Aims and the Summary, but with less text to justify them.

The repetition of the key statements between the Summary, the Specific Aims and the Research Strategy helps the other members of the study section to feel that they understand the Research Strategy as soon as they glance at it. To make it possible for them to speed-read it, the top line of every paragraph should contain the main message of the paragraph and there should be white space between the paragraphs.

The Recipe

To cook up a grant with this formula you need to start by deciding what key statements you need. NIH assessment criteria are very helpful here.

  • All grants are required to have a number of specific aims – goals that the research hopes to achieve. Three is the ideal number of specific aims – just as it is the ideal number of points to make in an emphatic statement.
  • The Research Strategy document must be divided into three sections, each of which is assessed. They are Significance, how important the research is; Innovation, what is new about the research, and Approach, how you are going to do the research.

Each specific aim needs one key statement to state its significance and one to state the approach to achieving it. Innovation can be stated separately for each aim or in a single staement that covers all three aime. Thus you need between 7 and 9 key statements to cover the basic criteria.

In addition you should have a couple of key statements to introduce the Research Strategy. These make the ‘elevator pitch’. The first needs to say what overall outcome is hoped for, something about how it will be achieved and something about your credentials for carrying out the project. The second needs to say something about the project’s overall importance. You can think of these statements as the opening remarks of the reviewer addressing the study section. They correspond to key sentences 1 and 2.

Finally you probably need an ‘onwards and upwards’ statement to finish off the Research Strategy, something that says how you will take the research forwards at the end of the project.

The K99/R00 grant has a training requirement. The research project must contain a mentored (K99) component and an independent (R00) component. The candidate is also required to submit a training and career development plan. The criteria make it clear that the K99 project must develop the candidate’s skills to prepare them for the independent phase. One or two extra key statements are needed to address this aspect of the project.

Once you have drawn up your list of key statements you draft them. They are the introductory sentences of the main subections of the Research Strategy. Don’t spend too much time perfecting these sentences. Get on with writing the sections that they introduce. As you draft those sections you will naturally polish the key statements until they are as good as you can make them.

Once you have a complete draft of the Research Strategy you can copy the key statements from it into the one-page Specific Aims document. Make that document up to a page by cutting and pasting more text from the Research Strategy or by drafting new text. You should cut and paste wherever possible to maximise the overlap between the two documents.

There are a number of sources that help you with content.

These can help you to modify the formula by choosing different sets of key statements and by varying which key statements appear in the different components of the application. But the best way to minimise the pain of writing is to follow the recipe.

Say it again Sam. And use the same words.

groundhogRepetition of key sentences and key phrases is extremely important in a grant application. The key sentences that introduce each subsection of the background and the description of the project in the case for support should be repeated in the introduction and also in the summary.  So each key sentence should appear at least three times.

Some key phrases should be repeated more than three times because they occur in more than one key sentence. For example, imagine you are writing a grant in which one of the sub-projects will characterise the relationship between motherhood and apple pie.  The phrase ‘the relationship between motherhood and apple pie’ will be in two of your key sentences.  One will explain why we need to characterise ‘the relationship between motherhood and apple pie’.  The other will introduce  the description of the sub-project that characterises the relationship between motherhood and apple pie.

Most academics accept that it is helpful to repeat key sentences. But most of them reject the idea that the repetition should use  the same words in the same order.  So I want to explain now why it is more effective to use the same words in the same order whenever you repeat a phrase or sentence.

Effectiveness is much more important here than correctness.  Few would disagree with the assertion that exact repetition is a more correct use of English than paraphrasing but it is much more important to think about how you can increase the effectiveness of a grant application by using repetition in the way that I recommend and how you will fail to increase effectiveness in the same way if you change the words you use or their order.

In thinking about the effectiveness of a grant application, we should consider who will read it and how.  Committee members and referees have different needs and derive different benefits  from repetition.

The most important readers are the committee members that make the decision.  All of them will have a vote in deciding whether or not the grant application gets funded. Few, if any,  will understand the details of the research topic. All of them will read the summary and most of them will stop there. Some will try to read the application and understand it. Usually two  members of the committee, the designated members, are tasked with reading the application and leading the committee discussion. They will try hard to understand the application, but they will find it very difficult and they won’t have much time – maybe an hour. Any help you give them will be gratefully received.  Although most of the rest of the committee will not read the application they will probably glance through it during the discussion.

There are three ways that repetition is particularly helpful to committee members:-

  • Repeating the key sentences means that all the committee members will be likely to remember them. Even those who just glance through the application once will read the key sentences three times. This means that there is a very good chance that they will remember them and understand the logic of your case for support – what outcome your project will achieve, why it is important, what things you need to know in order to achieve the outcome and how you will achieve them. If you repeat the key sentences but substantially change the wording then people will be less likely to remember them. Every change in wording is likely to be interpreted as a change in meaning, leading to potential confusion.
  • Repeating key phrases in the sentences that state what we need to know and what the sub-projects will discover makes it very clear that the project will discover exactly what we need to know. In this way the key phrases act like labels for the different parts of the project.
  • Repeating the key phrases enables committee members to learn them and to have a sense of what they mean. Humans learn the meaning of new phrases by encountering them repeated in different contexts. Committee members who read your grant application carefully will get the sense that they know what it means , even if they don’t. If you vary the wording of the key phrases it becomes harder to learn them and  less clear to the reader that you mean the same thing.

The referees are, notionally at least,  experts in the research topic. They will read the application, write an analysis of its strengths and weaknesses and give it a score, which the committee will consider, but not necessarily follow.  The referees are likely to read your application more carefully than the committee members and to have a deeper understanding of the topic. However, they will want to assess whether the detailed content of your case for support actually supports the assertions made in the key sentences. Repetition helps them do this in two stages.

  • Reading the key sentences in the summary and in the introduction allows them to create a mental list of questions to which they want to find answers in the case for support.
  • Repeating the key sentences at the head of each subsection of the case for support guides the referees to the answers. Again, the key phrases act like labels. For example, a referee that has some doubts about whether your research approach really will characterise the relationship between motherhood and apple pie will be guided straight to the place where you describe the relevant part of your research approach by the phrase the relationship between motherhood and apple pie. If you decide to change any of the words in the key phrase, not only does it become less effective as a label, it also introduces the possibility that you are seeking to do a piece of research without having told the reader why it is important to do it.

In sum, repetition of key sentences and key phrases makes a grant application more effective in four different ways, provided that you use the same words in the same order.

 

 

First you tell them; then you convince them.

Quotative Like; xkcd.com

Some  common writing styles are very bad for grant applications and this post aims to help you to avoid one of the worst.  It is a style of writing that we refer to in the book as “Argue – conclude”.

Argue-conclude writing sets out the argument for a statement before it makes the statement.  Done well, argue-conclude writing can be very convincing for a dedicated reader,  who will follow every twist and turn of  your argument. By the time they get to read a statement that ordinarily they might be inclined to reject, they already know the arguments that support it. Unfortunately, most of the readers who will decide whether your grant application gets funded are less dedicated. They will give up reading before they get to the crucial statement.

To communicate with these readers, you begin each paragraph with its main message. Then use the rest of the paragraph to convince them that the message is true. In the book we refer to this style as “assert-justify“. An easy way to describe about assert-justify style is “Tell them; then convince them”.

As I was writing this I thought of nine reasons you should adopt “Assert-justify” style in research grant applications.  The first four are concerned with meeting the needs of the reader – one of the guiding principles for writing with style. The remaining five are concerned with making the task of writing easier. Naturally I shall assert each reason and then justify it.

  1. Assert-justify style communicates more effectively with speed-readers, tired readers, and lazy readers.
    These readers will skim through your document. The neurology of eye-movements dictates that, provided you put blank lines between the paragraphs, their eyes will skip from paragraph to paragraph. They will read the first line of each paragraph. Thus they will read the assertions and get the headline messages. If they are inclined to disagree with the headline messages, they will dig down into the arguments that justify them.
  2. Assert-justify style makes it easier for diligent readers, such as referees, to examine your arguments in detail.
    Each paragraph starts by stating what the paragraph is about. This makes it very easy for the reader to find the arguments they want to examine. They never face the problem of wading through an argument wondering where it is leading.
  3. Assert-justify style makes it easier for the committee-member who has to present your grant to the rest of the committee.
    They can see at a glance what points you are trying to make. This makes it very easy for them to select the points that are most important and relevant for the committee, even if they don’t entirely understand them.
  4. Assert-justify style is more likely to engage readers who are bored.
    The conclusion is always the most interesting part of the argument. By putting the conclusion first you are more likely to entice them to read.
  5. Assert-justify style makes it easier to write an accurate summary.
    The assertions from each paragraph comprise a draft summary. If you want a shorter summary you may be able to leave some of them out.
  6. Assert-justify style makes it easier to write a good introduction.
    The assertions from each paragraph comprise the core of the introduction. You may need to add some linking text and some signposts.
  7. Assert-justify style makes it easier to write short sentences.
    You can write in simple, clear statements. You don’t need to frame them and qualify them.
  8. Assert-justify style makes it easier to write short paragraphs.
    In argue-conclude writing you have to spend a lot of words preparing the ground for the argument. If you start by asserting the point you want to make, you leap straight into the argument without spending any words.
  9. Assert-justify style makes it easier to write.
    I used to spend a lot of time staring at my screen wondering how to get started on each section. In assert-justify writing you can write the ten key sentences that start each sub-section of a grant proposal in an hour.

There are probably more and better reasons to write in assert-justify style. When I started writing this post a couple of hours ago I only had three!  If you have any doubts about whether assert-justify style is correct, it may help you to read Andy Gillett’s recommendations  on the Use of English for Academic Purposes blog.

Let me finish with an example of what I think you should avoid. This abstract of a funded grant application is short and clearly written but it is in argue-conclude style; consequently the piece of information that the reader most wants to know – what will the research project do – is buried away in the second half of a sentence in the last paragraph. A speed-reader would not see it.

A simple answer to a simple question

lab-initio.com astrophysicsmadesimple

Try to write a simple answer in one sentence

Last week I was a rather noisy fly on the wall in a workshop run by Sara Shinton to help  post-docs prepare for fellowship interviews. Sara pointed out that many institutions, including Glasgow University, which is where the workshop took place, have developed extensive support programmes for would-be fellows and will arrange a mock interview if you give them sufficient notice.

We also worked out a simple 10 minute exercise you can do to set yourself up to perform well in the interview. The key, if, like me, you have a tendency to be nervous, is to prepare and to learn a really good answer to a question that almost always crops up at the start of the interview. The question is very simple: Could you tell the committee a little bit about your project. Preparing a good answer to this question is a bit more difficult, but the exercise helps a great deal.

It is best to work with a colleague, someone who is preparing for an interview or writing a project grant themselves is ideal. It’s best if you don’t know too much about their research. The exercise is very simple. Spend exactly 4 minutes asking your friend about their project – you need to find out

  • What will the project try to achieve?
  • Why would that achievement be important?
  • How will the project try to achieve it?
  • Why is your colleague a good person to lead the project?

At the end of 4 minutes switch roles so that your colleague questions you about your project. Then you both write one sentence about each project. Spend 1 minute on the sentence and try to  give a simple overall statement of what the project will achieve, ideally you will relate that achievement to a big important problem and will also include something distinctive about how the project will achieve it in a way that will make it clear that the PI is a suitable person to do the project.

The sentence you need is something like key sentence 1.  You probably want the language to be a bit less formal than you would write in an application because you want to speak it. An ideal sentence would have a structure like this one:- “I’m going to identify potential treatments for stroke by testing compounds that we have found to inhibit brain metabolism in tissue culture”. It does 3 things.

  1. It says that you are working towards something pretty important, a treatment for stroke. It makes it clear that you don’t expect to get there by saying ‘potential‘. Everyone knows that the road from ‘potential treatment’ to ‘treatment’ can be a long one.
  2. It uses the phrase ‘we have found’ which says that you are working with compounds that you have worked with before. This establishes that you have credentials to do the work.
  3. It says that you are going to be testing metabolic inhibitors in tissue culture, which gives a sense of the kind of research you will be doing and the kind of drug that might be developed as a result.

The ideal sentence will have about 30 words. The example I have given has 23. We discovered that some of the workshop participants can write very long and very complex sentences in a minute. We also found that it’s often easier to write a good and convincing sentence about someone else’s project than about your own. Often you can make a really strong sentence by combining phrases from your sentence with phrases from a sentence produced by someone who knows much less than you do about the technicalities.